0:00
/
0:00
Transcript

The Beautiful Discomfort of New: Dijon's "Baby"

Brave Art vs Algorithmic Discovery, German Expressionism and Soul Music

There are few feelings that I cherish more than the feeling of realizing you are in the presence of something new. When I was 12, I thought I really understood rock music. I had been playing guitar for a couple of years, grunge had run its course and become a predictable commodity, I had studied all of the big classic rock stuff. Then I cut on the new album from Radiohead, “Ok Computer”. I felt equal parts discomfort, curiosity, confusion, and excitement. It felt like all of my certainty shattered into a thousand little pieces.

This feeling happens less and less. In a world of algorithmic discovery, where frictionless suggestions are rewarded and brave challenging art is discouraged, I have to constantly remind myself of my formative moment. Fortunately, this feeling came rushing back this past Friday when I put on Dijon’s new album, “Baby”.


Bobby Fisher learned to become a Chess Master by studying the games of previous masters. We should be doing the same thing with entertainment.

On that note, let’s nerd out on a new masterwork, the beauty of discomfort in art, Modernism, German Expressionism, Soul Music, and pedal tones.

This post and the posts for the rest of this year will be free, that said, if you want to become a paid subscriber, it is appreciated.

Grateful

jm


If you’re interested in creative consulting, book a one hour session via my Calendly:

Creative Consulting Calendly

For all inquiries, email: hereintheblueroom@gmail.com

The Blue Room - John Michael Rouchell is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.

Share

Refer a friend

Give a gift subscription

Discussion about this video